LO3: Production techniques (narrative, representation and narrative

-mise en scene: 
-location- iconography
-lighting- high key and low key
-costume
-gestures
-props

Camerawork:
Shot types- medium shot, medium close up, long shot, wide shot, extreme close up, crowd shot, over the shoulder, two shot, areial shot
Angles- high, low, cantered/dutch , level.
Camera movements- pan (left to right/ right to left) , tracking (forward and back),tracking dolly (side to side), tilt (up or down), zoom (in and out) arch, crane.
Compostion- rule thirds, deep depth of field, shallow depth of field, foreground, background.

Editing:
continuity:
Shot-reverse-shot
Action match
Cross cutting
Insert shot
Eye-line match
Non-continunity:
transitions (fade, dissolve, cut, wipe)
montage, split speed, timelapse, flash back/forward

Sound:
digetic- sound which comes from the story:
foley sound
sfx
diaglogue (accent/tone)
non-digetic- sound which is not in the story
narrative
incidental sound.


fast pace flashing of low key to high key lighting when maddie is getting taken         lighting creates thriller subgenre (Barry Keith Grant),
location can relate to the audience and creates visceral pleasure (rick altman)
Narrative can have different stages of equilibrium (Todorov)
men act women appear (John Berger)
offers comfortable reassurance (Patrick Phillips)


LO4: Target audience


LO6: media effects and regulation