LO3: Production techniques (narrative, representation and narrative
-mise en scene:
-location- iconography
-lighting- high key and low key
-costume
-gestures
-props
Camerawork:
Shot types- medium shot, medium close up, long shot, wide shot, extreme close up, crowd shot, over the shoulder, two shot, areial shot
Angles- high, low, cantered/dutch , level.
Camera movements- pan (left to right/ right to left) , tracking (forward and back),tracking dolly (side to side), tilt (up or down), zoom (in and out) arch, crane.
Compostion- rule thirds, deep depth of field, shallow depth of field, foreground, background.
Editing:
continuity:
Shot-reverse-shot
Action match
Cross cutting
Insert shot
Eye-line match
Non-continunity:
transitions (fade, dissolve, cut, wipe)
montage, split speed, timelapse, flash back/forward
Sound:
digetic- sound which comes from the story:
foley sound
sfx
diaglogue (accent/tone)
non-digetic- sound which is not in the story
narrative
incidental sound.
fast pace flashing of low key to high key lighting when maddie is getting taken lighting creates thriller subgenre (Barry Keith Grant),
location can relate to the audience and creates visceral pleasure (rick altman)
Narrative can have different stages of equilibrium (Todorov)
men act women appear (John Berger)
offers comfortable reassurance (Patrick Phillips)
LO4: Target audience
LO6: media effects and regulation
Thursday, 5 January 2017
Wednesday, 4 January 2017
Ofcom regulation
Celebrity Big Brother 2016:
This was complained about becuase the the sexual content and references from Marnie Simpson. also in the same episode Christopher Biggins spoke about bisexual which offended viewers. The audience would shown after watershed but could be seen online by younger viewers.
This was complained about becuase the the sexual content and references from Marnie Simpson. also in the same episode Christopher Biggins spoke about bisexual which offended viewers. The audience would shown after watershed but could be seen online by younger viewers.
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